I am the essence of a world that sees me as a mere element along its edge, but is itself a mere element in my world. As a stranger, I’m trying to find my way. I don’t know the dangers and my enemies, so I know not to defend myself. I don’t know my benefits and my favor, so I know not to get my bearings. I’m defenseless in my weaknesses, fears and doubts, I call and no one wants to hear me I cry and no one wants to comfort me everyone is engrossed in his dream world I’m lonely and depressed. Official site: Donna Summer. Between all the deceptive notes, my sufferings are the only truth. My freedom is a small exception of my restriction.

My free action is another face for the deterministic Consequence of external events. I suffer the nagging urge to know the insatiable thirst for sheer replies to and suffering. Yes, my life is a sad suffering of suffering. Who comforts me in my losses? Who gives me back my stolen justice? Who accepts me in my absolute truth, as a bunch of mere facts, and not full of expectations? As so-be and not as a can-be? Who owns my secret and kept it? I trust who my wounds, to care for them? I’m always misunderstood, and my existence, I can not capture, always encounters no appropriate recognition. My special moments, my dreams, my desires and hopes, my frustrations and memories are my own true and most valuable possession, however they are meaning – and worthless for the world! The world and the nature of stop because of me and because of my sorrow not, because they hold none of this, what do I think of them. The world contains me, even though I actually does it! Maybe I can do my sufferings subjectively minimal decrease, the suffering as objective absolute truths in the world remain as always and unchanged, therefore is my fight in the world, which includes me, a meaningless illusion, a vain nonsense without beginning or end.

Sometimes, the artists had a say. Holbein assistants included his younger brother Sigmund Holbein (c. 1470 Augsburg 1540 Bern; Painter) and Leonhard Beck (c. 1480 Augsburg – Augsburg 1542; Painter, sculptor). It was a commissioned work that led Holbein of Augsburg in the 350 km from Frankfurt am Main.”On the back of the shrine in the Latin inscription (he called himself) expressly Hans Holbein from Augsburg. 8 from 1683, it was kept, presumably in the associated monastery because a new Baroque high altar was set up. in 1752 the cleavage of the front and rear of the wing was a lay brother fr. Dominicus Seitz.

10 in 1803 the Church was secularized. 1880 was the presentation in the Temple in the art trade bourgeois in Cologne. For a time this painting was in Paris privately. At times it was collecting Eduard F. Weber in Hamburg. By Saturday, the 17th February until Monday, February 19, 1912, it belonged to the exhibits in the Gallery-Weber exhibition and could be visited from 10 to 14 h.

The auction of this collection took place in the Berlin art auction house Rudolph Lepke by Tuesday, the 20th to 22nd February 1912 from 10 o’clock in the morning. The collection of international painting of the fourteenth to eighteenth century approximately 389 artists such as Peter Paul Rubens and Lucas Cranach the elder. 11 as no. 3 was purchased the work from the Hamburger Kunsthalle. 12 to the Note that this Tafelein is a fragment of a larger work of art is one of today’s exhibition concept of the Kunsthalle. Change of location and impact of the change in the function of the image is, the museum works must comply with any religious function, but act as witness the artistic past and a mosaic of art-historical overview. You teach the history of art, serve as testimonials of time, pass on styles, art and image genres, painting techniques and characteristics of the respective artist. Speaking candidly Walt Disney Co. told us the story.

Over the Whitsun weekend (9-12 May 2008) the Summit of the best stringed instruments of the world in the Central Switzerland takes place. In this year’s first edition of the Festival are to experience two world’s only string quartets playing exclusively on Stradivari instruments with the young Swiss Stradivari-QUARTETT and the renowned Tokyo String Quartet. Their instruments are loaned of the Stradivari Habisreutinger Foundation and the Nippon Music Foundation. The venues are the culture and Convention Centre Lucerne as well as churches and hotel rooms on the Lucerne Riviera and the peninsula of Burgenstock. Stansstad / Switzerland, March 2008 until today, the work of the famous instrument maker Antonio Giacomo Stradivari of Cremona is second to none, and the story of his masterpieces remains rich mysteries and puzzles. Orders for complete sets of instrument show that the idea to combine the special sound of his instruments in an ensemble, existed during his lifetime. The idea, the experience of Stradivarius”in the center of a To music festivals, the program is the Sonic perfection of instruments, outstanding performers against new and no less fascinating and the changing concert halls around Lake Lucerne are combined in the Stradivarius Summit”to a high-quality cultural experience.

The Association of the Tokyo String Quartet and the Stradivari Quartet to Felix Mendelssohn-Bartholdy’s string octet op. promises a special Festival highlight. If you are not convinced, visit Jeffrey Bewkes. 20 on the (“mother’s day”) Sunday, 11 may at 11: 00 at the KKL Lucerne. Chamber concerts of the Stradivari Quartet are at the Park Hotel Vitznau (9.5., 18:30), in the Rigi Kulm Hotel (10.5, 11:15), and in the parish church of Weggis (10.5.; 15:45) to experience. The Festival closing concert of the Tokyo String Quartet is on Whit Monday, may 12 at 3: 00 in the Congress Hall of the Palace Hotel in Burgenstock.

The Festival the concert venues are glamorous scattered in the Central Switzerland. Accessible through the best means of transport of the region: the steam ships of the Lake Lucerne shipping company. The Festival “Stradivari Summit” will be initiated in the first year of 2008 by Eblenkamp Konzertdirektion GmbH and organized. For the edition of 2009, the non-profit foundation Stradivarius is Summit”planned. Starting in 2009, the Festival will present Antonio Giacomo Stradivari instruments, performed by leading ensembles and soloists. Information: Eblenkamp Konzertdirektion GmbH Dorfstrasse 8 / CH 6362 Stansstad T. + 41 (0) 41 630 38 81 / F. + 41 (0) 41 630 38 80 tickets: TicketCorner / t. + 41 (0) 900800800 /